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Showing posts with the label Borges

Not all art is beautiful (and that’s good)

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Is aesthetics only about art that is beautiful as conventionally understood? If not, what purpose does art that may not be so serve? My new essay published in May 2022 in Blue Labyrinths        Image: John Constable, Hadleigh Castle (1837) (Public Domain)

Another research paper published on Jorge Luis Borges

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  My research paper on “Time and the Observer in Jorge Luis Borges” has been published in the 2020 edition of the Literature & Aesthetics journal released a few days back. Abstract: Jorge Luis Borges is ambivalent in his views of time and is unwilling to completely accept a denial of the reality of time. I argue that this is because a view that refutes time denies the observer too along with it.  Borges tries therefore to identify a reconciliation between a refutation of time and its reality.  (Image: Edwaert Collier - Vanitas Still Life with a Statuette of an Antique Athlete and a Print of Michelangelo (1675) - Public Domain)

Publication of Guest Post #2 in Aesthetics Research Lab

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My essay Aesthetic ineffability and the rebirth of the reader  was published in May 2020 on  Aesthetics Research Lab ,  a "digital think tank and resource, revolving around theoretical and practical issues in aesthetics" conceived by Michael Spicher, PhD.  Here is the  link . This essay examine the idea that literature is as capable of giving rise to an experience of aesthetic ineffability as the other arts. Furthermore, the ineffable experience in literature may be a product of both the author and the reader, and that there is similarly a need for a confluence between the artist and viewer in other art forms too for ineffability to arise.

My published research paper on Jorge Luis Borges

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Jorge Luis Borges, 1968 (Credit: Wikimedia Commons) My research paper on “Jorge Luis Borges and the Nothingness of the Self” has been published in the 2016 edition of the Literature & Aesthetics journal released a few days back. In this paper, I discuss how Borges uses his ideas on selfhood to explore the “central problem of literature” that Andre Maurois highlighted and how in the process projects to the reader his idea of reality. I argue also that the self that Borges tries to present in his work may nevertheless not be always congruent with the self he may have wanted to convey. This is because his quest is influenced by a number of factors, not least the fact that the self-creation process is affected by our interplay with the external world.