Posts

Showing posts with the label arrow of time

Art, temporality and the "motions of the mind": My essay published in Blue Labyrinths

Image
 It is a commonplace to claim that art imitates life. If so, art, in performing this mimesis, should respond also to our obsession and concern with temporality (time as experienced, not as measured, or human time as opposed to what the metaphysicians claim). How does art participate in this alchemy of smelting clock time into felt time? Read essay at Blue Labyrinths .

Another research paper published on Jorge Luis Borges

Image
  My research paper on “Time and the Observer in Jorge Luis Borges” has been published in the 2020 edition of the Literature & Aesthetics journal released a few days back. Abstract: Jorge Luis Borges is ambivalent in his views of time and is unwilling to completely accept a denial of the reality of time. I argue that this is because a view that refutes time denies the observer too along with it.  Borges tries therefore to identify a reconciliation between a refutation of time and its reality.  (Image: Edwaert Collier - Vanitas Still Life with a Statuette of an Antique Athlete and a Print of Michelangelo (1675) - Public Domain)

An illness and a joy

Image
The reality (however relative) and nature of time appear inexorable and inescapable. One way to cope with this fact is to tell others and share with them our thoughts, feelings and stories – a bit like unity in the face of a common enemy. “ F or whom am I writing this?” wonders eighty-two year old Iris Chase Griffen in Margaret Atwood’s The Blind Assassin . “For myself? I think not. I have no picture of myself reading it over at a later time, later time having become problematical. For some stranger, in the future, after I’m dead? I have no such ambition, no such hope.” [i] Many of us are afflicted by this bug for writing – writing in some form or the other, dashing off letters, composing something creative and, if nothing else, at least keeping diaries and journals. George Orwell thought that there were four great motives for writing and they are to be found to different degrees in every writer. We were firstly driven to write by “sheer egoism”, a “desire to seem clever, to be