Crossing the divide: A website about Literature, Art & Philosophy by Venkat Ramanan

My essay Aesthetic ineffability and the rebirth of the reader  was published in May 2020 on  Aesthetics Research Lab ,  a "digital think tank and resource, revolving around theoretical and practical issues in aesthetics" conceived by Michael Spicher, PhD.  Here is the  link . This essay examine the idea that literature is as capable of giving rise to an experience of aesthetic ineffability as the other arts. Furthermore, the ineffable experience in literature may be a product of both the author and the reader, and that there is similarly a need for a confluence between the artist and viewer in other art forms too for ineffability to arise.

My essay  Vasily Grossman, Graham Greene and the nature of doubt  was published in  The Punch Magazine  in May 2020 - see  link. Claude Monet, Water Lily Pond (1899) (Wikimedia, Public Domain) What’s more important: having faith or being human? This essay examines this question by juxtaposing the work of the Russian writer Vasily Grossman against that of the English novelist Graham Greene.

My essay Vivaldi for Gorillas: Seeking Aesthetics in Adversity was published in March 2020 on  Aesthetics Research Lab ,  a "digital think tank and resource, revolving around theoretical and practical issues in aesthetics" conceived by Michael Spicher, PhD.  Here is the link . In this essay, I discuss this question: Why does someone reach for beauty in circumstances of adversity when it is usually presumed that staying alive presupposes all else? Théodore Géricault, The Raft of the Medusa (1819) / Public domain (Wikimedia Commons)

My essay  The Exile of Pessoa & Camus  was published in  The Punch Magazine  in May 2019 - and here is the  link. Poet and philosopher Fernando Pessoa (1888-1935) describes himself as someone who is an “exile from the country of which he had always considered himself a citizen…” Is it apposite to associate exile with someone who — apart from spending nine years in South Africa during his youth — essentially never stirred out of his native Portugal? This essay examines this question by comparing Pessoa to another famous exile, Albert Camus.

My research paper on “Literature and the construction of reality” has been published in the 2018 edition of the Literature & Aesthetics Journal released in March. Peregrine falcons (Artwork: NY State Museum 1912, Public Domain) In this paper, I consider the idea that Ernst von Glasersfeld’s “radical constructivism” offers an ideal framework for putting in place a reality of the best fit for us. Along with this, I examine also the fundamental biological and epistemological limitations that we are faced with when trying to fathom objective reality and, secondly, the inescapable gap between language – which we use as a primary cognitive tool in our attempt to comprehend the world. The paper then show that literature – especially fiction – best meets the criteria for addressing these gaps and constructing such a model of reality in line with what radical constructivism proposes.

My essay titled A disdain for the discrete: How art transcends logic and language published in the March 2018 issue of  Epoché Magazine - and here is the link . Claude Lorrain, Landscape with Ruins, 1650 (NGA, Washington DC) In this essay I argue that art is able to open a new window on to reality only when art can transcend reason and the confines of language. I contend further that both logic and language have their limitations when used as tools for the creation of meaning and that art helps us overcome these inadequacies in the way it transcends — or even transgresses — the absolutes that underpin our “rational” view of the world. I believe too that the violation of the strictures of logic by art is also emblematic of art’s heightened awareness of certain unique features of reality — in particular, its dynamic and fluid nature — which are not normally readily visible to a mind tied to thinking in terms only of binary truth values.

Jorge Luis Borges, 1968 (Credit: Wikimedia Commons) My research paper on “Jorge Luis Borges and the Nothingness of the Self” has been published in the 2016 edition of the Literature & Aesthetics journal released a few days back. In this paper, I discuss how Borges uses his ideas on selfhood to explore the “central problem of literature” that Andre Maurois highlighted and how in the process projects to the reader his idea of reality. I argue also that the self that Borges tries to present in his work may nevertheless not be always congruent with the self he may have wanted to convey. This is because his quest is influenced by a number of factors, not least the fact that the self-creation process is affected by our interplay with the external world.